Posts Tagged ‘Vanity Fair’

Vanity Fair, Io Donna e Awardscircuit.com profetizzano come miglior attore di Comedy il grande De Niro de Lo stagista inaspettato


10 Dec

(Non) ce lo saremmo aspettato.

Invece, voi no, io sì.

Sì, sì, sì, vai Bob.

Per le donne, eh eh.

iodonna

Miglior film – Dramma
“Brooklyn”
“Concussion” (da noi Zona d’ombra, lo vedremo a marzo, con Will Smith nei panni del medico che scoprì il legame tra le botte e i danni cerebrali nei giocatori di football)
“The Revenant”
“Spotlight”
“Carol”

Miglior film – Commedia/Musical
“The Big Short” (La grande scommessa, con Christian Bale, Steve Carell, Ryan Gosling,gli outsider che intuirono le conseguenze della bolla immobiliare del 2000)
“Joy” (il 26 gennaio nei nostri cinema, di David O. Russell, con Jennifer Lawrence, Bradley Cooper, Robert De Niro)
“The Martian”
“Trainwreck” (da noi è uscito come Un disastro di ragazza)
“The Lady in the Van” (con una strepitosa Maggie Smith)

Miglior attore – Dramma
Leonardo DiCaprio (“The Revenant”)
Johnny Depp (“Black Mass”)
Michael Fassbender (“Steve Jobs”)
Eddie Redmayne (“The Danish Girl”)
Will Smith (“Concussion”)

Miglior attore – Commedia/Musical

Christian Bale (“The Big Short”)

Steve Carell (“The Big Short”)
Bradley Cooper (“Burnt”)
Robert De Niro (“The Intern”)
Matt Damon (“The Martian”)

Migliore attrice – Dramma
Cate Blanchett (“Carol”)
Carey Mulligan (“Suffragette”)
Saoirse Ronan (“Brooklyn”)
Alicia Vikander (“The Danish Girl”)
Cate Blanchett (“Truth”)

 

Per i circuiti, oh oh.

With SAG set to hand out their nominations this coming Wednesday, the Hollywood Foreign Press Association will announce their nominations for the 2016 Golden Globes on Thursday.  This year, more than ever, we’ll be looking at both organizations to get indications of support for certain films and performances.  The HFPA has already corrected certain campaigns submitted by the studios which include Rooney Mara (“Carol”) and Alicia Vikander (“The Danish Girl”) being moved to Lead Actress in a Drama, Jason Segal (“The End of the Tour”) moving to Lead Actor in a Drama, “Trumbo” switching to Drama, and a few other key cases.

Unsure how this can shake things out, but after SAG announces on Wednesday, with no reported category switches named thus far, we’ll have to attempt to assume “business as usual” and see where the support lies.  Before anyone jumps up and down about omissions of certain films and performances, remember that the HFPA hardly ever has a 100% translation to Oscar.  Ricky Gervais will be back to host and that will probably be the most familiar thing we know going in.  Check out the final predictions below, including the television categories:

Hateful_Eight_Payoff_FINALBEST PICTURE (DRAMA)

  • Bridge of Spies” (DreamWorks)
  • Brooklyn” (Fox Searchlight Pictures)
  • The Hateful Eight” (The Weinstein Company)
  • The Revenant” (20th Century Fox)
  • Spotlight” (Open Road)

ALTERNATE: “Carol” (The Weinstein Company)

  • The HFPA do tend to lean towards foreign productions as seen with surprises like “Rush” but they can sometimes make cool choices.  Will we have more than five this year?

martian_poster_damonBEST PICTURE (MUSICAL OR COMEDY)

  • The Big Short” (Paramount Pictures)
  • Grandma” (Sony Pictures Classics)
  • Joy” (20th Century Fox)
  • The Martian” (20th Century Fox)
  • Trainwreck” (Universal Pictures)

ALTERNATE: “Spy” (20th Century Fox)

  • Mixed reviews for “Joy” won’t keep the HPFA back from pouncing.  A small film like “Grandma” could use this type of recognition but will the money-making “Spy” overtake it?

revenant1BEST ACTOR (DRAMA)

  • Johnny Depp – “Black Mass”
  • Leonardo DiCaprio – “The Revenant”
  • Michael Fassbender – “Steve Jobs”
  • Eddie Redmayne – “The Danish Girl”
  • Will Smith – “Concussion”

ALTERNATE: Bryan Cranston – “Trumbo”

  • Battle for the movie stars but is there a possibility for an indie player like Ian McKellen or Michael Caine to come up and steal a spot?

big_short_ver2BEST ACTOR (MUSICAL OR COMEDY)

  • Steve Carell – “The Big Short”
  • Bradley Cooper – “Burnt”
  • Matt Damon – “The Martian”
  • Robert DeNiro – “The Intern”
  • Al Pacino – “Danny Collins”

ALTERNATE: Bill Hader – “Trainwreck”

  • This is the category for the veteran leading men, hot actors in Hollywood, and anyone else they want to throw in the mix.  Is there a Chiwetel Ejiofor in “Kinky Boots” out there?

carol-posterBEST ACTRESS (DRAMA)

  • Cate Blanchett – “Carol”
  • Brie Larson – “Room”
  • Charlotte Rampling – “45 Years”
  • Saoirse Ronan – “Brooklyn”
  • Alicia Vikander – “The Danish Girl”

ALTERNATE: Rooney Mara – “Carol”

  • With category shifts for Mara and Vikander, are both making the cut?  Will it push out anyone else who will be campaigning there?  Can someone like Charlize Theron find some room?  Too many questions for this race.

joy_posterBEST ACTRESS (MUSICAL OR COMEDY)

  • Blythe Danner – “I’ll See You In My Dreams”
  • Jennifer Lawrence – “Joy”
  • Amy Schumer – “Trainwreck”
  • Maggie Smith – “The Lady in the Van”
  • Lily Tomlin – “Grandma”

ALTERNATE: Meryl Streep – “Ricki and the Flash”

  • It’s hard to believe I’m predicting a Meryl Streep miss but what a strong five it looks like ahead of her.  They could default to her easily and even megastar Sandra Bullock.

creed_ver2BEST SUPPORTING ACTOR

  • Paul Dano – “Love & Mercy”
  • Tom Hardy – “The Revenant”
  • Mark Ruffalo – “Spotlight”
  • Mark Rylance – “Bridge of Spies”
  • Sylvester Stallone – “Creed”

ALTERNATE: Michael Keaton – “Spotlight”

  • Taking a gamble on both “Spotlight” guys not making it but something is going to give in this race with Sly Stallone picking up steam.  Don’t be shocked if SAG and GG overlap by just Mark Rylance.

spotlight_ver2BEST SUPPORTING ACTRESS

  • Elizabeth Banks – “Love & Mercy”
  • Jennifer Jason Leigh – “The Hateful Eight”
  • Rachel McAdams – “Spotlight”
  • Kristen Stewart – “Clouds of Sils Maria”
  • Kate Winslet – “Steve Jobs”

ALTERNATE: Jessica Chastain – “The Martian”

  • With Supporting players out, it gives Jennifer Jason Leigh all the room to stretch her legs and get on a stage but could Kate Winslet or Kristen Stewart ruin the party?

bridge_of_spies_ver3BEST DIRECTOR – MOTION PICTURE

  • Todd Haynes – “Carol”
  • Alejandro G. Inarritu – “The Revenant”
  • Tom McCarthy – “Spotlight”
  • Ridley Scott – “The Martian”
  • Quentin Tarantino – “The Hateful Eight”

ALTERNATE: Steven Spielberg – “Bridge of Spies”

  • They love their big name directors but they can often go the “lone” director route and I’m seeing a possible “Carol” in Picture or Haynes in Director.  Not both.

steve_jobsBEST SCREENPLAY

  • Brooklyn” – Nick Hornby
  • Carol” – Phyllis Nagy
  • The Hateful Eight” – Quentin Tarantino
  • Spotlight” – Tom McCarthy, Josh Singer
  • Steve Jobs” – Aaron Sorkin

ALTERNATE: “The Martian” – Drew Goddard

  • HFPA likes their big name writers and the frontrunners of each category but they may be swayed in a different direction this year.  “The Martian” nominated here would show considerable strength.

anomalisaBEST ANIMATED FEATURE

  • Anomalisa” (Paramount Pictures)
  • The Good Dinosaur” (Pixar)
  • Inside Out” (Pixar)
  • Minions” (Universal)
  • The Peanuts Movie” (20th Century Fox)

ALTERNATE: “Shaun the Sheep” (Lionsgate)

  • Pixar and Paramount death match.  Round 1.  Fight!

sicario_ver5BEST ORIGINAL SCORE

  • Roque Baños – “In the Heart of the Sea”
  • Carter Burwell – “Carol”
  • Ennio Morricone – “The Hateful Eight”
  • Jóhann Jóhannson – “Sicario”
  • Thomas Newman – “Bridge of Spies”

ALTERNATE: James Horner – “Southpaw”

  • Are they feeling sentimental for James Horner?  Can they recognize the brilliant, unsung work of Michael Brook in “Brooklyn?”

concussionBEST ORIGINAL SONG

  • Concussion” – “So Long”
  • Fifty Shades of Grey” – “Earned It”
  • The Hunting Ground” – “Til It Happens to You”
  • Love & Mercy” – “One Kind of Love”
  • Spectre” – “Writing on the Wall”

ALTERNATE: “Creed” – “Grip”

  • The bigger the artist behind the song, the more likely to pop up.  Sam Smith, Lady Gaga, Leon Bridges, The Weeknd, and Brian Wilson.  Looks done.

sonofsaulBEST FOREIGN LANGUAGE FILM

  • Goodnight Mommy” (Austria)
  • Labyrinth of Lies” (Germany)
  • Mustang” (France)
  • The Second Mother” (Brazil)
  • Son of Saul” (Hungary)

ALTERNATE: “Rams” (Iceland)

 

Per le vanità, ah ah, come direbbe Pacino Al, che speriamo nominino per Danny Collins, ih ih.

Marilyn Monroe – 50Th Anniversary


05 Aug

 

Scocca il 5 Agosto, ed è il cinquantesimo anniversario di Marilyn Monroe.

La rear window End User, il nostro gestore, mi contatta privatamente perché diffonda l’esclusiva “certezza”, attestata da People, secondo cui, sarebbe proprio vero, con tanto di prove, che la Monroe si suicidò.

Dobbiamo credere a People?

 

The story made headlines around the globe: Marilyn Monroe, the world’s most celebrated starlet, had apparently committed suicide. 

 

But many who knew her didn’t believe she’d take her own life, and as the 50th anniversary of her death at age 36 approaches, her tragic end remains shrouded in mystery.

 

In the new issue of PEOPLE, guest writer J.I. Baker – author of The Empty Glass, a new murder thriller based on her death – uses his research and fresh reporting to explore the truth.

A Mysterious Death

On August 5, 1962, Monroe was found dead in the bedroom of her Brentwood hacienda.

 

Toxicology reports showed high levels of Nembutal and chloral hydrate in her bloodstream, and her death was ruled a “probable suicide.” But why wasn’t her body turned over to medical examiners for more than five hours after it was discovered?

 

Forensic pathologist Cyril Wecht tells PEOPLE he has “a strong suspicion she might have been injected,” given the lack of pill residue found in her stomach – but by whom?

 

Why did not-yet-tested tissue samples go missing, along with Monroe’s phone records? And were Jack and Bobby Kennedy, with whom she was rumored to have had affairs, involved?

 

For more questions and answers surrounding Monroe’s mysterious death, pick up the latest issue of PEOPLE, on newsstands Friday.

 

Quale occasione migliore per questo “diario?”.

 

Marilyn, mito inossidabile d’immarcescibili “ossigeni” anche metacinematografici.

A imbiondarci, come la platinata sua chioma schiumosa, di fiammeggiante eternità.

Eterea, perché solo e mai più Lei.

 

 

5 Agosto 1962, uno dei giorni più scioccanti per il Mondo, la sua morte.

 

Oramai, ci siamo tutti “wikipediazzati”, e quindi ne estrarremo proprio tal “memoriale”:

 

Le circostanze della sua prematura morte, dovuta a un’overdose di barbiturici, sono state oggetto di numerose congetture, sebbene il suo decesso sia ufficialmente classificato come “probabile suicidio”. La successiva sparizione di tracce e documenti dalla casa dell’attrice, dove sembra fosse stato anche Bob Kennedy la sera della morte, nonché innumerevoli omissioni e varie incongruenze nelle dichiarazioni dei testimoni e nel referto autoptico, hanno dato adito a molteplici dubbi sugli eventi di quella notte. Tra le varie versioni formulate, la più plausibile vede ipotizzata la complicità dei Kennedy, che vedevano in Monroe, dettasi pronta a dichiarare pubblicamente le loro relazioni con lei, una minaccia per la loro carriera politica.

 

“Sfogliacchiando” questo raggelante “reportage“, mi balza alla mente, angosciandomi, la Dalia Nera, fonte d’ispirazione letteraria, in primis James Ellroy col suo capolavoro macabrissimo, e l’omonimo film d’un incompreso Brian De Palma.

 

Come Dalia, forse, una “vergine” santa ma prostituita alla seduzione del Potere, ch’ella stessa seduceva in ammalianti pose ammiccanti d’impudiche esibizioni sensuali di dolcezza.

 

Il suo cadavere, un terrificante mistero che continua ad affascinare, irrisolto, su cui fantasticare e inventarsi più e più storie. Stessa sorte ingrata affiliata a molti eterni, leggendari, immortalati d’icona ancor più maliarda e invincibilissima nella forza evocatrice, appunto, dell’immortalità di chi è asceso nel Paradiso degli dei.

 

Marilyn, forse non so, non una grande attrice, ma perfetta per la società puritana dell’America sull’orlo delle rivoluzioni sessuali, mangiauomini che ossessionava sol sbirciando di occhi pittati, d’uno Sguardo malizioso travestito da ingenuità bambina. Di svolazzanti gonne per un vedo-non vedo ipocrita, accaldato, guardone, “mansueto” e incantato dalla sua pelle di pesco.

 

Culto infinito d’intere generazioni, pietra di paragone, tutt’ora, per qualsiasi Donna che voglia varcar la soglia della reggia splendente ove aleggiano le divinità intoccabili.

Incarnazione femminea d’ogni podio conturbantemente enigmatico. Impercettibile come un fantasma erotico d’abbagliante splendore, di suo sangue bianco e lucente nelle nostre vene.

 

Così, immagino lo scrupoloso, maniacale e perfezionista J. Edgar, in un’apparizione contemporanea del suo fiuto da tartufo, a gironzolar in macchina per Los Angeles, salire su Mulholland Drive, toccare, timido, le scale del desiderio, entrar “di sottecchi” nella proprietà privatissima della limpida villa di Marilyn, e ammirarla, con gli occhi languidi, perdutamente innamorati, mentre “danza” delfina nella sua ultima doccia.

 

Nuda, si avvicina a J. Edgar, lo bacia e gli consegna la “dinamica”-dinamite della sua morte.

 

Edgar annota sul taccuino l’allucinante, inconcepibile retroscena, spaventoso, glacialissimo.

Poi, la saluta, porgendole un occhiolino color benedizione.

Sale sulla sua cabrio, ingrana malinconicamente la marcia, si ferma vicino al “dirupo” della collina dei sogni, brucia una sigaretta amara tra i bagliori ardenti del sottostante panorama liquido di gorgoglii brillantemente artificiali, e “lancia” al vento la verità.

 

Incamminandosi nel noir omertoso di chi troppo ama la Bellezza per sporcarla…

 

E, con una smorfia corrugantemente (ir)ridente, svanisce nel traffico del Mondo, come Lei.

 

 

A 50 anni dalla misteriosa morte, Stefano Falotico “formula”, non solo le ipotesi, ma un suo lynchiano video inquietante “dietro le quinte”.

 

E sbirciamo anche un “Noir Nightmare…”.

 

(Stefano Falotico)

De Niro & il suo Tribeca Film Festival


21 Apr

 

Anche quest’anno i riflettori son puntati nella “piccola” Mecca di New York, per l’oramai consueto appuntamento col festival “di” De Niro.

In gran forma, accompagnato sempre “in neo”, di sua nera…

Qui, al partyvanity-faireggiante“:

 

Genius-Pop

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